Monday, October 30. 2006
 The gods of college radio, R.E.M. bubbled up out of the cauldron that was Athens, GA, in the 80s. They got signed to indy label I.R.S. and burst out with one of the best rock albums ever recorded, Rolling Stone's 1983 best album of the year, Murmur.
And I Feel Fine: Best of the I.R.S. Years 1982-1987 draws heavily on Murmur and its follow-up, Reckoning, making it a much more valuable compilation of the wonder that was early R.E.M. than 1998's Eponymous - and not just for the choice of material. The sound quality is light years better.
But forget all that, and understand this: Pay the extra bucks and get the Collectors Edition. The second disc is absolutely loaded with demos, b-sides, and live cuts, and all kinds of great material. And then, what the hell, go get the companion DVD, When the Light is Mine... The Best of the I.R.S. Years 1982-1987 Video Collection, too - lots of stuff there I've never even heard of before, let alone seen.
These discs are absolutely golden for old fans (even if you already have most of it), and those who want to understand R.E.M. in the days before the line between "indy" and "mainstream" got blurred.
Complete CD and DVD track listings under the jump.
Continue reading "CD Review - R.E.M., And I Feel Fine: Best of the I.R.S. Years 1982-1987"
Friday, October 27. 2006
 Ray Wylie Hubbard
Hometown: Wimberley, TX.
http://www.raywylie.com
Ray Waylie Hubbard Concert Photos
Wednesday, October 25, 2006
Antones (Austin, Texas)
also: Paula Nelson
A gray drizzle permeated the day and carried over to evening as I watched import cars skittering and dodging each other like mindless waterbugs with no sense of direction outside the club in downtown Austin. I was standing exactly where Ron Wood of the Rolling Stones stood, hailing a cab, unsuccessfully trying to avoid the press only days before.
Named after its founder, the late great Clifford Antone, the man who gave Austin the blues, Antone's has become a cultural landmark and more than a mere historical footnote in Austin's music history since it opened in 1975. Though its physical location may have changed from the old Guadalupe building, nothing else really has. Antone's attracts visitors, and musicians from around the world, hoping to catch a glimpse of the famous, or near famous, or just hoping to absorb the aura of a venue that's had such artists as Muddy Waters, John Lee Hooker and B.B King grace it's stage. The seminal club in launching Stevie Ray Vaughn's career and Austin's cultural equivalent to L.A.'s Whiskey A Go Go, or New Yorks C.B.G.B.'s, Antone's enjoy's a cachet reserved for few other bars.
 It was with this in mind that I went to see another 'Austin institution, Ray Wylie Hubbard, perform. I first saw Ray play back at the Armadillo World Headquarters in the 70s, and over the years have seen him play around town three or four times. We had a great chat about the old days in his dressing room before the show, telling old war stories about Kinky and Willie and laughing, both of us agreeing that you could tell an old schooler in town by how they gave directions to friends. "Go three blocks from where the Dillo used to be and turn left." Its great to reminisce about the good old days with someone else with the same experiences.
 Ray's set was heavy on his classics like "Screw You We're From Texas," but he also took time to cover a lot of the material from his new disc, like "Snake Farm" and one of my favorites, "Rabbit." Hearing Ray live is just like listening to his CDs when he gets a good mix, and he sounded just great at Antone's. Opening the night on a dual headline bill, he played what must have been an hour and a half set, and, with a warm and appreciiative audience, seemed like he could play all night. He let the next generation of Hubbards, his 13-year-old son Lucas, take the stage and play guitar on the last couple of songs. That must be a real feather for Lucas: very few 13-year-old blues guitarists can add playing Antone's to their resume, and he has a great future as a musician should he choose that path.
 One musician's child who has chosen that path was the other headliner, Paula Nelson, daughter of Texas music legend and red-headed stranger, Willie Nelson. I had been bumping into her all night without realizing who she was. With a tight band consisting of longtime Austin music veterans, Paula has a voice that is smooth and smokey, or sharp and bright depending on the material. I watched her cover a Billy Joe Shaver song and a couple of others like a consummate profesional. Country, blues, and rock alike, she has a voice that can cover them all, from Patsy Cline to Janis Joplin. Unfortunately I hadn't planned on covering her whole set and had to leave early to begin my long trek home. I am sure that I will get the opportunity to see a full set from her in the near future. Heading out of Antone's door into the drizzle, I joined the other waterbugs playing bumper cars on the rain slicked streets.
Thanks to the Hubbards for inviting me to the show, to Paula for letting me take a few pics of her and her band, and to the Antone's staff for putting up with my seeming endless questions.
 It looks like NOW we have a horse race! We have a lot of pictures to go through for week 6 and next week, week 7 is getting really interesting. Picking the camera winner at the end of the year will be very very tough. We may have to invite a celebrity judge to help us out. I have been re-miss in my duties for not naming previous winners sooner though. This shot of Eddie Van Halen at Alpine Valley to the left won a T-Shirt in week 3 for Terry Mayer. This picture of Nine Inch Nails by Robert Olson won him a T-Shirt for week 5.
If you would like to enter the contest to win one of our weekly T-Shirts or a chance to win Nikon's brand new 10.2 Mp D80 DSLR camera kit for Christmas, a $1000.00+ value, upload some of your best concert pics to our Photo Contest Gallery. Enter as many concert photos as you like and as often as you like.
Contest Rules
- You may enter as many concert photos as you like AS LONG AS THEY ARE PHOTOS YOU HAVE TAKEN!
(with a camera not a web browser thank you!)
- You may only win 1 T-Shirt in our weekly contests. If there are no valid entries for the week, then previous winning photographers other entries will be considered.
- Entries must be posted before the end of the day on Monday midnight, C.S.T. according to the clocks on our systems. Posts made after this time will be left up, but will not qualify for prize consideration for that week, and will be coinsidered for the next weeks drawing.
- You must include a valid email address on your post for it to qualify.
- Staff and volunteers of OnlineHobbyist and its associated sites are ineligible to participate in the contest though they may certainly post their photos as well.
- Anyone may enter, regardless of age, although for persons under 18 a parent or guardian must claim the prize.
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 It is now Friday October 27 and it is time to play WTF Friday, the game where you tell us the first 10 songs that come up on your music player when you hit the Random or Shuffle button. At stake is a classic kingsnake.com T-shirt and the last chance to win the monthly grand prize, a black 30Gb video iPod. Also we welcome Metal Blade Records as a contest sponsor this month, so everyone that wins a shirt or iPod will also get a copy of Metal Blade's 2006 Summer Sampler with 18 bands including Cannibal Corpse, Unearth and more!
Here is my list... .
1. XTC - Helicopter
2. Primus - Seas of Cheese
3. Arctic Monkeys - A Certain Romance
4. Bob Marley - Get up. Stand up
5. Ray Wylie Hubbard - Rabbit
6. Radiohead - Electioneering
7. PIL - Flowers of Romance
8. George Gershwin - Rhapsody in Blue
9. deelite - Groove Is In The Heart
10. Third Eye Blind - Farther
Once again, we give away a kingsnake.com T-shirt to each of our weekly winners and the monthly winner gets a spankin new 30Gb video iPod! For the complete set of rules see http://club.kingsnake.com/index.php?/pages/wtfcontest.html
You MUST post your list TODAY, Friday, for it to qualify for the contest so POST AWAY.
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iPod, Contest, Free T-Shirt
Wednesday, October 25. 2006
 Don't get me wrong.
I love Soundgarden and its lead vocalist, Chris Cornell. Soundgarden's album Badmotorfinger is still one of my top 50 rock albums of all time, as is Rage Against The Machines debut release. I own both these band's complete catalogs, and am a total fan of each. Seperately each in itself is a strong and well matched unit. Combined, they sound about as comfortable together as size 8 shoes on size 12 feet.
I've tried really really hard to enjoy these guys. I bought their debut and Out of Exile when they were released and crossed my fingers each time. Each time I have been disappointed. I am no less disappointed with this latest release. The styles are too different, Cornell's voice is too lyrical and needs a band with a more fluid sound behind it. When he gets that sound his voice works well. Here, as in each of the other releases, Zach De La Rosa's old band's sound is halting, choppy and fixed, and it calls more for a rapping style of vocalist, like De La Rosa's, to complement it well. Cornell tries but his voice sounds abbreviated and halted, like he's waiting on the rest of the band to catch up to him all the time.
Try as they might, I don't think that their styles will ever mesh well enough to allow them to create the kind of work they created seperately. Either Cornell has to slow down to his band's abrupt style, which doesn't sound like it's working now and is a waste of his talent, or the band will have to completely have to change their musical style to accomodate Cornell. That doesn't appear to be happening, at least not from what I hear on this or their previous discs. I listened to this disc for a full week and can honestly say that none of the songs was memorable enough for me to mention, other than list them below.
1. Revelations 4:11
2. One And The Same 3:37
3. Sound Of A Gun 4:20
4. Until We Fall 3:51
5. Original Fire 3:41
6. Broken City 3:49
7. Somedays 3:34
8. Shape Of Things To Come 4:35
9. Jewel Of The Summertime 3:53
10. Wide Awake 4:26
11. Nothing Left To Say But Goodbye 3:33
12. Moth
Monday, October 23. 2006
 Alice Cooper
Hometown: Pheonix, AZ.
http://www.alicecooper.com/
Alice Cooper Concert Photos
Wednesday, October 18, 2006
Kingston Memorial Centre
(Kingston, Ontario)
also: The Sins
It's pretty clear that Alice has sucessfully rekindled the fire that made him great in the 70s. His latest release, Dirty Diamonds, is classic Alice the likes of which we haven't seen since 1976. I was stoked when I heard that Alice would be rolling through my neighbourhood in support of Dirty Diamonds.
Man, I had butterflies in my stomach all day while I waited to go pick up Trash and head to Kingston at the appointed time. There's something about Alice..... The living legend status? The jaw droppingly talented band? The fact that I was gonna get to photograph the show?
 This was to be Trash's twelfth time seeing Alice. He is my Alice Cooper pimp. From December 1989 through today, I haven't seen Alice without Trash. This cat loves Alice, and that makes the shows even better.
We hit Kingston about 7 pm and picked up our tickets and my photo pass. Second row, just off centre... not bad. We then settled in to watch the opening act.
I knew nothing about The Sins. Their generic name made it tough to figure which of the multitude of bands called "The Sins" would be opening tonight. We were pleasantly surprised. The Montreal-based quintet was tight and put on a good show. The singer, Sindy, is a good looking girl, but her vocal chops are what kept me interested. The lead guitarist, Plear, was also a pleasure to listen to. The Sins play guitar driven hard rock with some catchy hooks. Trash picked up one of their demo CDs for me, and I'm rocking to it as I write this.
Continue reading "Concert Review: Alice Cooper at the Kingston Memorial Centre"
Saturday, October 21. 2006
 Cattle Decapitation is incredible, and their new release, Karma Bloody Karma, is really something unique. I need to talk a bit about the band before the review as these guys are far from your ordinary death metal band. Grind bands are usually guys who just want to be as brutal as possible, and although lyrically some of these bands really give you something to think about, you’d really never know what the fuck they were screaming about unless you bought the CD and read the lyrics. Cattle Decapitation seems to have matured into a great death metal band but the brutality is a major factor. Throw in some multi-genre influence and you have a finished product that could be easily overlooked as just another band - but that, they are not. They’re practically in a league of their own.
I read the lyrics to this CD (since Metal Blade Promos come with the covers, which is really great! Many labels only send the discs) after a few listens. I was a little confused, but impressed at the same time. This made me look at the band's site as well as what the label has for them on their site, and I came to realize just how different this band is from most. Most death metal is very typical. It consists of horror and gore movie influence, anti-religious themes, violence, and brutality. This record is full of hate, but it is towards humanity and spells it out quite clearly.
One of the most powerful moments for me on this record is in track one, "Unintelligent Design." When speaking of humans the hatred is delivered in a crushing hypnotic riff....
Idiots!...Backwards!....Self-serving!...Self Righteous!...All Consuming!...Bastards!
Lyrics like these can be considered common, however the band's lyricist/vocalist has been known for his “obsessively gore orientated musings laced with pro vegetarian/anti human posture.� There’s the twist. Some metal bands try to be cooler than the next by basically hating everything, and there is no explanation needed. It usually revolves around religion. There’s reason behind the hatred on this record and it is pretty bold in my opinion to go against the grain and offer something that not many other bands would dare try. Their bio mentions their Humanure album, featuring artwork described as the ultimate revenge on humanity. A cow excreting human remains. Now that is fucking smart...and sick! I mean, the record doesn’t make me wanna be a vegan, but hell, it makes you think about the sickness us carnivores support, since we do not often think about how the food we eat gets on our tables. I mean being a snake breeder the amount of rodents I personally basically kill doesn’t bother me much, and I am not too sympathetic when I drive past a field of cows. I’d kill the damn thing myself if I was hungry enough.
Regardless, this record gets under your skin. It makes you think about things, and it points out the faults that we should be ashamed of but aren’t, as well as mocking the way some people follow what they believe without much question. It is harsh and it goes in many directions from technical arrangements to an occasional simple haunting moment - as I mentioned before, almost hypnotic. The guys know how to play, and they do it well. I would like to know how long they worked on writing this record because it is phenomenal. The sound quality is killer, and each member has done an outstanding job, but the vocals and lyrics are just too much .... I mean fucking amazing.
There’s an abundance of chaos on the record, but this is not grindcore. I would call this death metal. Plenty of blasting drums, but that does not equal grind. The same goes for a few sweeping arpeggios, that does not make a guitar solo - but I think this guy knows that. His guitar work is excellent and the minimal soloing keeps the heaviness of the record at the level of intensity that sometimes is lost when death metal guys become possessed by Malmsteen. I’d bet this guy was a Human Remains fan. Either that or he must have relatives in New Jersey where us oddball metal musicians come from. Some say there’s something in the water.
The band will be touring again soon, something they apparently do a lot of. They have Kevin Talley (ex-Dying Fetus) drumming and will be on the road with Goatwhore. I will not miss this tour and have to tell you, I have listened to this disc no less than fifty fucking times. This review has taken me so god damn long I have a pile of discs collecting dust on my desk and many of them are great. The thing is, I feel I have barely done my job here. I hope I piqued your interest in hearing this record. You'll understand after you listen to it and read the lyrics why I felt it was so important to make you understand this is not a typical band or record. This is the type of record you could overlook, and that would not be cool. This record is a masterpiece and it is addicting. I myself almost stuck with the initial thought that this was some sort of typical record and I am glad I took so long to really take it in. The more you listen to it, the angrier you get. It is fucking powerful, chaotic and brilliant. Check it out
Friday, October 20. 2006
With all the other stuff going on around here, it slipped my mind to let everyone know we now have well over 8000 concert photos in our concert photo gallery, including this fantastic set of Alice Cooper pictures just uploaded by Staff Writer/Photgrapher Clint Gilders. Clint's review will be up next week, but we wanted to give you a taste. To see the whole Alice Cooper set click here. Thanks go out to Alice and Brian for hooking Clint up with the photo pass to take these great shots, and to Scott at Amazon Reptilefor hooking us up with Alice and his crew in the first place.

While your at it, check out all these other bands in our photo gallery...
 It is now Friday October 20 and it is time to play WTF Friday, the game where you tell us the first 10 songs that come up on your music player when you hit the Random or Shuffle button. At stake is a classic kingsnake.com T-shirt and a chance to win the monthly grand prize, a black 30Gb video iPod. Also we welcome Metal Blade Records as a contest sponsor this month, so everyone that wins a shirt or iPod will also get a copy of Metal Blade's 2006 Summer Sampler with 18 bands including Cannibal Corpse, Unearth and more!
Here is my list... .
1. Elvis Costello - Party Girl
2. Mudvayne - Death Blooms
3. Metallica - Seek & Destroy
4. New Order - Regret
5. Primus - Here Come The Bastards
6. Radiohead - Blackstar(Acoustic)
7. Staind - Mudshovel
8. Sevendust - Denial
9. System Of A Down - Marmelade
10. Oasis - Half The World Away
Once again, we give away a kingsnake.com T-shirt to each of our weekly winners and the monthly winner gets a spankin new 30Gb video iPod! For the complete set of rules see http://club.kingsnake.com/index.php?/pages/wtfcontest.html
You MUST post your list TODAY, Friday, for it to qualify for the contest so POST AWAY.
Technorati Tags:
iPod, Contest, Free T-Shirt
Wednesday, October 18. 2006
 When I started writing for this site I announced I would not waste much of my time on bad reviews - and I won’t. This record has some good points, but I will never put this on again, one spin was enough for me, thanks.
The write up on the Metal Blade site says there’s almost a raw punk vibe on this record. Really? Where the hell is that? This to me is 85 percent Slayer worship to the point of cloning. The vocals are different and some of the drumming is faster, but the guitars have Slayer written all over them. Why Slayer is not mentioned in this write up is just ridiculous.
It is a great sounding record. I am sure some people will find this very appealing, but if I wanna hear Slayer I'll listen to Slayer.
The production leaves nothing to complain about. Crisp and heavy and very audible. The vocal style fits the music well, no singing or melody here. The guys can play, it's a tight record without any sloppiness. I think for me, it's just the fact that after listening to the disc, and reading what the label and band has to say about this band, I'm sitting here wondering, how you could say you’re old school but doing something different as compared to bands of today? There has been a resurgence of old bands making comebacks and current bands showing this influence, so I don’t get it. To claim nothing thrashy is coming out anymore? Huh??? They describe themselves as street metal? I just can’t stand it.
The lyrics... Well, here’s an example:
Assassins unscavenge.
Aesthetic trauma.
Bringer of the rising tide of low carb suicide.
I seriously hate this guy's lyrics, can’t stress that enough but....
In all seriousness. If you like the type of metal with the first few notes of "Reign In Blood" rearranged eighty-nine different ways, this record is for you. It does not suck at all, it's a good record, but for me it's something I've heard a million times before. I love the older metal records and I'm glad these guys are trying to rekindle some of the old spirit, but hopefully their next record will be a bit more original. This record shows potential, as they as a group have the ingredients to make great records, but I don't think this is one of them.
 Buckethead
Hometown: Claremont, Ca.
http://www.bucketheadland.com/
buckethead Concert Photos
Saturday, October 14, 2006
La Zona Rosa (Austin, Texas)
also: That 1 Guy
I must admit that throughout this show I kept humming "I feel like chicken tonight" quietly to myself.
According to Bucketheads own biography he was raised in a coop and thus would explain the heavily chicken influenced music and stage show. Although I had never heard any of Bucketheads solo discs I had heard him play before with the likes of Les Claypool, Bootsy Collins and a huge and esoteric variety of other artists. In fact it might be easire to list all the artists he hasn't played with or for. Of all the musicians I have seen the only one I can find to compare him to is Les Claypool, both for the wall presentation of his persona, his use of masks and costumes, and his amazing ability to do virtually anything with his instrument. He even sounds like Les when he plays the bass! It's no surprise Guitar One placed him on the list of the "Top 10 Guitar Shredders of All Time"
 Wearing his traditional mask and of course, trademark bucket, Buckethead only required the assitance of That 1 Guys and his drummer Pinch Face to fill La Zona Rosa with an ambient, funky, atmospheric, raw thrashing guitar. To see Buckethead rip through so many musical genres in the same set and sometimes the same song is an amazing thing to watch and hear. And it went on, and on, and on. Song after song, metal one minute, country the next, then funk. Incredibly, Bucketheads set started at 10:30 and didn't finish until 1:30, with only a 15 minute set break.
The audience consisted mainly of Buckethead diehards, many wearing the trademark buckets themselves, and a few wearing the mask as well, although you could tell there were also a number of people experiencing Buckethead for the first time. The traditional mosh space was taken over by the "jam band camp follower" dancers in the audience, lolling and swaying back and forth. This show had the same jam band vibe that many artists enjoy and seemed to be propelled along its route by small enclaves of fans following the tour on it's journey.
 Opening for Buckethead was solo artist That 1 Guy who also played as part of Buckethead's ensemble.
Playing a variety of sounds on his "Magic Pipe" as well as a saw and other devices, That 1 Guy filled the room with his funky aromatic songs about the moon being made of cheese and weasel pot pies. Truely amazing are the sounds that eminate forth from this strange and insanely designed musical instrument. Part guitar, part synthesizer, part standup bass and drum kit, this is the 21st century technological equivalent of the cumbersome cymbals-on-the-knees one man band.
This show had an open camera policy (thanks to Direct Events for the heads up on that one) so I took advantage and invited my 14 year old nephew Blake along to act as my camera assistant. It was his first concert, and he was suitably impressed, describing That 1 Guy as "Different - not what I expected" and Buckethead's performance as "Awesome." Thanks also to the two guys from Houston who drove up for the show and gave Blake their extra ticket gratis. It was really a great way for him to experience his first show. I let him go play with my D70 to see if he could get any shots and didn't see him again til the set breaks, as he squeezed his way to the front. He needs to grow another foot or so to be able to take pictures from the crowd, but he did well enough that I used a couple of his pictures in this review (the top two). Of course, Blake was sent home with a Buckethead T-shirt. I hope he keeps his ticket stub too.
Chicken anyone?...
 Ex-Morbid Angel/Hate Eternal vocalist/bassist Jared Anderson died on October 14 of undisclosed causes at the age of 30.
He was currently working on a new project called As One that revisited his work on the Internecine album. It was to be a more matured sound. Jared worked with Morbid Angel from 2001-2002. He was an original member of Hate Eternal, providing the vocals and bass for their first two albums, Conquering the Throne and King of All Kings. Jared left the band due to a drug problem.
From Blabbermouth:
Visitation will take place Thursday, October 19 at the E. C. Nurre Funeral Home, St. Rt. 125 Amelia, Ohio from 9 a.m. to 11 a.m. followed by Funeral Services Thursday, 11 a.m. at the Funeral Home. Interment Pierce Township Cemetery.
Tuesday, October 17. 2006
 Breaking Benjamin
Hometown: Wilkes-Barre, Pa.
http://www.shallowbay.com/
Breaking Benjamin Concert Photos
Wednesday October 11, 2006
La Zona Rosa (Austin, Texas)
also: Dropping Daylight, Evans Blue
It's hard if you're a mid-level band on the way up or down to attract much attention in a music town like Austin. A show like this would have quickly sold out in most lesser towns, but in Austin it seemed as if the audience would never fill out.
 This was a great line-up too, three solid touring bands, all with core audiences in tow. My favorite of the three turned out to be the opening act, Minnesota-based Dropping Daylight, for their musical voracity and energy. They attacked the music like it was the last show they were ever going to do and it really showed. Lead guitarist Seth Davin looking like he was skipping high school to be there, this band had a blast onstage. With songwriting brother Sebastian Davin on piano and vocals, these guys set a pace that was hard to follow for the other two bands. They had a squeaky clean "pop" vibe that your mom might like, but rocked hard enough for it not to be uncool to have them on your iPod. Only about half the audience was there by the time their set was over. I missed chatting with them after their set at the merch booth and will have to try to catch up with them later. Their song "Tell Me" keeps playing over and over in my head.
 A bit louder and harder, Ontario's Evan's Blue was next. Definitely a candidate for one of Clint's "Canadian Bands That Don't Suck," this 5-piece seems to have built a respectable audience here through previous appearances. A little less mainstream than Dropping Daylight, they had a harder alternative rock edge. They did a very hard cover of a Sarah McLachlan's song "Possession" that if you didn't listen carefully, would have missed. During the third song of their set, Breaking Benjamin's lead singer, Ben Burnley, joined them onstage. After their set I got to chat with them a bit, but not much as they were busy taking pictures with fans.
 Breaking Benjamin, the headliner, has a fairly solid audience, and the venue had filled appreciably by the time they hit the stage. With a good amount of street buzz they seem to be a band that is going places; their last CD debuted at number 2 on the Billboard charts back in August. Vocalist Ben Burnley was backed by the strong bass playing of Mark Klepaski, and lead by Aaron Fink, both formerly of Lifer, and their show was strong, polished and professional. I was actually kind of surprised to see a few random crowd surfers in the audience; they felt out of place at this show. On disc Breaking Benjamin have always reminded me a little bit of Tool but, not so much live. Not dark enough.
Thanks to Evans Blue and Dropping Daylight for hooking me up with the photo pass for this show, and the everyone over at Direct Events and La Zona Rosa for their continued support and assistance.
 Idle Sons
Hometown: Toronto, Ontario
http://idlesons.com
http://www.myspace.com/idlesons
Sin City October 11, 2006
With Rides Again, and My Darkest Days
You know how it goes. Lots of times the opening bands really aren't worth the price of admission. That's why I set about scoping out My Darkest Days and Rides Again on Wednesday afternoon..... should I hit the Idle Sons show early enough to catch the openers? A quick listen to the songs offered on their myspace pages helped me make up my mind pretty quick. Hell yeah!
My buddy Stewart (sports photog extraordinaire) and I headed down to Sin City at about 8:30. It was cold, raining and miserable. It's October in Canada, what else is to be expected. We geeked out talking camera gear for a while and I got my new Nikon D80 purring like a kitten.
Continue reading "Concert Review: Idle Sons at Sin City, Peterborough, Ontario"
Monday, October 16. 2006
 My friend Jim submitted this to me. I have to agree....... David Gogo doesn't suck.
David Gogo davidgogo.com
Location: Nanaimo , British Columbia
Status: Signed to Cordova Bay Records
Style: Blues
Releases:
- Acoustic: Official Bootleg Series - Volume 2 (2006)
- Skeleton Key - U.S. Release (2006)
- Vibe (2004)
- Skeleton Key (2002)
- Live at Deer Lake: Official Bootleg Series - Volume 1 (2003)
- Halfway to Memphis (2001)
- Dine Under The Stars(2000)
- Change of Pace (2000)
- Bare Bones (2000)
- David Gogo (1994)
Awards and Nominations:- Juno Nomination - Best New Artist
- West Coast Music Awards - Musician of the Year 1999/00
- Real Blues Magazine - Top Blues/Rock CD of the Year for Skeleton Key
- 2003 Maple Blues Awards - Guitarist of the Year
- 2004 Maple Blues Awards - 5 nominations
- 2004 CBC Saturday Night Blues - Great Canadian Blues Award for Lifetime Contribution
- 2005 Maple Blues Awards - Guitarist of the Year winner and Entertainer of the Year nomination
Why he doesn't suck: Wayyyyyy back in '96, my buddy called me up and said, "Hey - we're going to the Max Webster Reunion show - wanna come? "
When we arrived at the venue, I asked the doorman who the opening act was, and he replied, "Some guy named David Gogo." Never heard of him, so we expected 45 minutes of lameass crap. Wrong! This guy came out and rocked the place with tons of old blues standards and jaw-dropping guitar playing. I saw him again in 2004, and he still has it - rippin' it up in a local bar. As he walked around the bar playing an extended slide guitar solo, he started using any items the crowd offered up for a slide - even a white cane held high by one of the patrons who was blind!
See him Live:
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