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Pearl Jam. (2009, January 21). In Wikipedia, The Free Encyclopedia. Retrieved 02:36, January 21, 2009, from http://en.wikipedia.org/w/index.php?title=Pearl_Jam&oldid=265397210

Pearl Jam is an American rock band that formed in Seattle, Washington in 1990. Since its inception, the band's line-up has included Eddie Vedder (lead vocals, guitar), Jeff Ament (bass guitar), Stone Gossard (rhythm guitar), and Mike McCready (lead guitar). The band's current drummer is Matt Cameron, formerly of Soundgarden, who has been with the band since 1998.

Formed after the demise of Ament and Gossard's previous band Mother Love Bone, Pearl Jam broke into the mainstream with its debut album, Ten. One of the key bands of the grunge movement in the early 1990s, Pearl Jam was criticized early on""most notably by Nirvana frontman Kurt Cobain""as being a corporate cash-in on the alternative rock explosion. However, over the course of the band's career its members became noted for their refusal to adhere to traditional music industry practices, including refusing to make music videos and engaging in a much-publicized boycott of Ticketmaster. In 2006, Rolling Stone described the band as having "spent much of the past decade deliberately tearing apart their own fame."[1]

Since its inception, the band has sold thirty million records in the U.S.,[2] and an estimated sixty million albums worldwide.[3][4] Pearl Jam has outlasted many of its contemporaries from the alternative rock breakthrough of the early 1990s, and is considered one of the most influential bands of the decade.[5] Allmusic calls Pearl Jam "the most popular American rock & roll band of the '90s."[6]

Stone Gossard and Jeff Ament were members of pioneering grunge band Green River during the mid-1980s. Green River toured and recorded to moderate success but disbanded in 1987 due to a stylistic division between the pair and bandmates Mark Arm and Steve Turner.[7] In late 1987, Gossard and Ament began playing with Malfunkshun vocalist Andrew Wood, eventually organizing the band Mother Love Bone. In 1988 and 1989, the band recorded and toured to increasing interest and found the support of the PolyGram record label, which signed the band in early 1989. Mother Love Bone's debut album, Apple, was released in July 1990, four months after Wood died of a heroin overdose.[8]

Ament and Gossard were devastated by the death of Wood and the resulting demise of Mother Love Bone. Gossard spent his time afterwards writing material that was harder-edged than what he had been doing previously.[9] After a few months, Gossard started practicing with fellow Seattle guitarist Mike McCready, whose band Shadow had broken up; McCready in turn encouraged Gossard to reconnect with Ament.[1] After practicing for a while, the trio sent out a five-song demo tape in order to find a singer and a drummer. They gave former Red Hot Chili Peppers drummer Jack Irons the demo to see if he would be interested in joining the band and to distribute the demo to anyone he felt might fit the lead vocal position.[9]

Irons passed on the invitation but gave the demo to his basketball buddy, San Diego, California singer Eddie Vedder.[10] Vedder was the lead vocalist for a San Diego band, Bad Radio, and worked part time at a gas station. He listened to the tape shortly before going surfing, where lyrics came to him.[9] He then recorded the vocals to three of the songs ("Alive", "Once", and "Footsteps") in what he would later describe as a "mini-opera" he entitled "Mamasan".[9][11] Vedder sent the tape with his vocals back to the three Seattle musicians, who were so impressed that they had him fly to Seattle. Within a week, Vedder had joined the band.[9]

With the addition of Dave Krusen on drums, the band took the name Mookie Blaylock, in reference to the then-active All-Star basketball player. The band played its first official show at the Off Ramp club in Seattle on October 22, 1990,[12] and soon signed to Epic Records. However, concerns about trademark issues necessitated a name change; the band's name became "Pearl Jam".[6] In an early promotional interview, Vedder said that the name "Pearl Jam" was a reference to his great-grandmother Pearl, who was married to a Native American and had a special recipe for peyote-laced jam.[13] In a 2006 Rolling Stone cover story however, Vedder admitted that this story was "total bullshit" (even though he indeed had a great-grandma named Pearl). Ament and McCready explained that Ament came up with "pearl", and that the band later settled on "Pearl Jam" after attending a concert by Neil Young, in which he stretched up his songs as improvisations of 15-20 minutes in length, a practice known as jamming.[1]

Pearl Jam entered Seattle's London Bridge Studios in March 1991 to record its debut album, Ten.[14] Krusen left the band in May 1991 after checking himself into rehabilitation;[15] he was replaced by Matt Chamberlain, who had previously played with Edie Brickell & New Bohemians. After playing only a handful of shows, one of which was filmed for the "Alive" video, Chamberlain left to join the Saturday Night Live band.[16] Chamberlain suggested Dave Abbruzzese as his replacement. Abbruzzese joined the group and played the rest of Pearl Jam's live shows supporting Ten.

Released on August 27, 1991, Ten (named after Mookie Blaylock's jersey number)[13] contained eleven tracks dealing with dark subjects like depression, suicide, loneliness, and murder. Ten's musical style, influenced by classic rock, combined an "expansive harmonic vocabulary" with an anthemic sound.[17] The album was slow to sell, but by the second half of 1992 it became a breakthrough success, being certified gold and reaching number two on the Billboard charts.[14] Ten produced the hit singles "Alive", "Even Flow", and "Jeremy". Originally interpreted as an anthem by many,[9] Vedder later revealed that "Alive" tells the semi-biographical tale of a son discovering that his father is actually his stepfather, while his mother"s grief turns her to sexually embrace her son, who strongly resembles the biological father.[9] The song "Jeremy" ( sample ) and its accompanying video were inspired by a true story in which a high school student shot himself in front of his classmates.[18] Ten stayed on the Billboard charts for more than two years, and has gone on to become one of the highest-selling rock records ever, going twelve times platinum.

With the success of Ten, Pearl Jam became a key member of the Seattle grunge explosion, along with Nirvana, Alice in Chains, and Soundgarden. The band was criticized in the music press; British music magazine NME said that Pearl Jam was "trying to steal money from young alternative kids' pockets."[19] Nirvana's Kurt Cobain angrily attacked Pearl Jam, claiming the band were commercial sellouts,[20] and argued Ten was not a true alternative album because it had so many prominent guitar leads.[14] Cobain later reconciled with Vedder, and they reportedly were on amicable terms before Cobain's death in 1994.[1]

Pearl Jam toured relentlessly in support of Ten. In 1992, Pearl Jam made television appearances on Saturday Night Live and MTV Unplugged and took a slot on that summer's Lollapalooza tour with the Red Hot Chili Peppers, Soundgarden, and Ministry, among others. The band contributed two songs to the soundtrack of the 1992 Cameron Crowe film Singles: "State of Love and Trust" and "Breath". Ament, Gossard and Vedder appeared in Singles under the name "Citizen Dick"; their parts were filmed when Pearl Jam was known as Mookie Blaylock.

The band members grew uncomfortable with their success, with much of the burden of Pearl Jam's popularity falling on frontman Vedder.[9] While Pearl Jam received four awards at the 1993 MTV Video Music Awards for its video for "Jeremy", including Video of the Year and Best Group Video, the band refused to make a video for "Black" in spite of pressure by the label. This action began a trend of the band refusing to make videos for its songs. "Ten years from now," Ament said, "I don't want people to remember our songs as videos."[9]

Released on October 19, 1993, Pearl Jam's second album, Vs., sold a record 950,378 copies in its first week of release and outperformed all other entries in the Billboard top ten that week combined.[21] Vs. included the singles "Go", "Daughter", "Animal", and "Dissident". The band decided, beginning with the release of Vs., to scale back its commercial efforts.[22] The members declined to produce any more music videos after the massive success of "Jeremy" and opted for fewer interviews and television appearances. Industry insiders compared Pearl Jam's tour that year to the touring habits of Led Zeppelin, in that the band "ignored the press and took its music directly to the fans."[23] During the Vs. Tour, the band set a cap on ticket prices in an attempt to thwart scalpers.[24]

By 1994, Pearl Jam was "fighting on all fronts", as its manager described the band at the time.[25] Pearl Jam was outraged when, after it played a pair of shows in Chicago, Illinois, it discovered that ticket vendor Ticketmaster had added a service charge to the tickets. The United States Department of Justice was investigating the company's practices at the time and asked the band to create a memorandum of its experiences with the company. Gossard and Ament soon testified at a subcommittee investigation in Washington, D.C.[26] The band eventually canceled its 1994 summer tour in protest.[27] After the Justice Department dropped the case, Pearl Jam continued to boycott Ticketmaster, refusing to play venues that had contracts with the company.[28] Music critic Jim DeRogatis noted that along with the Ticketmaster debacle, "the band has refused to release singles or make videos; it has demanded that its albums be released on vinyl; and it wants to be more like its '60s heroes, The Who, releasing two or three albums a year." He also stated that sources said that most of the band's third album Vitalogy was completed by early 1994, but that either a forced delay by Epic or that the battle with Ticketmaster were to blame for the delay.[25]

After Pearl Jam finished the recording of Vitalogy, drummer Dave Abbruzzese was fired. The band cited political differences between Abbruzzese and the other members; for example, Abbruzzese disagreed with the Ticketmaster boycott.[29] He was replaced by Jack Irons, a close friend of Vedder and the former and original drummer of the Red Hot Chili Peppers. Irons made his debut with the band at Neil Young's 1994 Bridge School Benefit, but he was not officially announced as the band's new drummer until its 1995 Self-Pollution satellite radio broadcast.

Vitalogy was released first on November 22, 1994 on vinyl and then two weeks later on December 6, 1994 on CD and cassette. The CD became the second-fastest-selling in history, with more than 877,000 units sold in its first week.[12] Many of the songs on the album appear to be based around the pressures of fame.[30] The song "Spin the Black Circle", a homage to vinyl records, won a Grammy Award in 1996 for Best Hard Rock Performance. Vitalogy also included the songs "Not for You", "Corduroy", "Better Man", and "Immortality". "Better Man" (sample (info)), a song originally penned and performed by Vedder while in Bad Radio, reached number one on the Billboard Mainstream Rock chart, spending a total of eight weeks there. Considered a "blatantly great pop song" by producer Brendan O'Brien, Pearl Jam was reluctant to record it and had initially rejected it from Vs. due to its accessibility.[29]

The band continued its boycott against Ticketmaster during its 1995 tour for Vitalogy, but was surprised that virtually no other bands joined in.[31] Pearl Jam's initiative to play only at non-Ticketmaster venues effectively, with a few exceptions, prevented it from playing shows in the United States for the next three years.[32] In the same year Pearl Jam backed Neil Young, whom the band had noted as an influence, on his album Mirror Ball. Contractual obligations prevented the use of the band's name anywhere on the album, but the members were all credited individually in the album's liner notes.[6] Two songs from the sessions were left off Mirror Ball: "I Got Id" and "Long Road". These two tracks were released separately by Pearl Jam in the form of the 1995 EP, Merkin Ball.

Released on August 27, 1996, No Code was seen as a deliberate break from the band's sound since Ten,[33] favoring experimental ballads and noisy garage rockers. Although the album debuted at number one on the Billboard charts, it quickly fell down the charts. No Code included the singles "Who You Are" ( sample ), "Hail, Hail", and "Off He Goes". As with Vitalogy, very little touring was done to promote No Code because of the band's refusal to play in Ticketmaster's venue areas. A European tour took place in the fall of 1996.

On February 3, 1998, Pearl Jam released its fifth album, Yield. The album was cited as a return to the band's early, straightforward rock sound.[34] Yield debuted at number two on the Billboard charts, but like No Code soon began dropping down the charts.[35] It included the singles "Given to Fly" and "Wishlist". The band hired comic book artist Todd McFarlane to create an animated video for the song "Do the Evolution" from the album, its first music video since 1992. A documentary detailing the making of Yield, Single Video Theory, was released on VHS and DVD later that year.

In June 1998, Pearl Jam once again changed drummers. Jack Irons left the band due to dissatisfaction with touring and was replaced with former Soundgarden drummer Matt Cameron on an initially temporary basis,[36] but he soon became a permanent replacement for Irons. Pearl Jam's 1998 Yield Tour in North America marked the band"s return to full-scale touring. The band's anti-trust lawsuit against Ticketmaster had proven to be unsuccessful and hindered live tours. Many fans had complained about the difficulty in obtaining tickets and the use of non-Ticketmaster venues, which were judged to be out-of-the-way and impersonal. For this tour and future tours, Pearl Jam once again began using Ticketmaster in order to "better accommodate concertgoers."[37] The 1998 summer tour was a big success,[38] and after it was completed the band released Live on Two Legs, a live album which featured select performances from the tour.

In 1998, Pearl Jam recorded "Last Kiss", a cover of a 1960s ballad made famous by J. Frank Wilson and the Cavaliers. It was recorded during a soundcheck and released on the band's 1998 fan club single. The following year, the cover was put into heavy rotation across the country. By popular demand, the cover was released to the general public as a single in 1999, with all of the proceeds going to the aid of refugees of the Kosovo War.[12] The band also decided to include the song on the 1999 charity compilation album, No Boundaries: A Benefit for the Kosovar Refugees. "Last Kiss" peaked at number two on the Billboard charts and became the band's highest-charting single.

On May 16, 2000 Pearl Jam released its sixth studio album, Binaural. It was drummer Matt Cameron's recording debut with the band. The title is a reference to the binaural recording techniques that were utilized on several tracks by producer Tchad Blake, known for his use of the technique.[39] Binaural was the first album since the band's debut not produced by Brendan O'Brien, although O'Brien was called in later to remix several tracks. Binaural included the singles "Nothing as It Seems" ( sample ), one of the songs featuring binaural recording, and "Light Years". The album sold just over 700,000 copies and became the first Pearl Jam studio album to fail to reach platinum status.[40]

Pearl Jam decided to record every show on its 2000 Binaural Tour professionally, after noting the desire of fans to own a copy of the shows they attended and the popularity of illegal bootleg recordings. The band had been open in the past about allowing fans to make amateur recordings,[41] and these "official bootlegs" were an attempt to provide a more affordable and better quality product for fans.[42] Pearl Jam originally intended to release them to only fan club members, but the band's record contract prevented it from doing so. Pearl Jam released all of the albums in record stores as well as through its fan club. The band released 72 live albums in 2000 and 2001, and set a record for most albums to debut in the Billboard 200 at the same time.[43]

Pearl Jam's 2000 European tour ended in tragedy on June 30, with an accident at the Roskilde Festival in Denmark. Nine fans were crushed underfoot and suffocated to death as the crowd rushed to the front. The band stopped playing and tried to calm the crowd when the musicians realized what was happening, but it was already too late. The two remaining dates of the tour were canceled, and the band seriously considered retiring after this event.[44] Pearl Jam was initially blamed for the accident, but was later cleared of responsibility.[45]

A month after the European tour concluded, the band embarked on its two-leg 2000 North American tour. On October 22, 2000, the band played the MGM Grand in Las Vegas, celebrating the tenth anniversary of its first live performance as a band. Eddie Vedder took the opportunity to thank the many people who had helped the band come together and make it to ten years. He noted that "I would never do this accepting a Grammy or something."[46] The song "Alive" was purposely omitted from all shows on this tour until the final night in Seattle. The band performed that night for over three hours, playing most of its hits along with covers such as "The Kids Are Alright" and "Baba O'Riley" by The Who. After concluding the Binaural Tour, the band released Touring Band 2000 the following year. The DVD featured select performances from the North American legs of the tour.

Following the events of the September 11, 2001 terrorist attacks, Eddie Vedder and Mike McCready joined Neil Young to perform the song "Long Road" from the Merkin Ball EP at the America: A Tribute to Heroes benefit concert. The concert, which aired on September 21, 2001, raised money for the victims and their families.

Pearl Jam released its seventh album, Riot Act, on November 12, 2002. It included the singles "I Am Mine" and "Save You". The album featured a much more folk-based and experimental sound, evident in the presence of B3 organist Boom Gaspar on songs such as "Love Boat Captain". The track entitled "Arc" was recorded as a vocal tribute to the nine people who died at the Roskilde Festival in June 2000. Vedder only performed this song nine times on the 2003 tour, and the band left the track off all released bootlegs.[47]

In 2003, the band embarked on its Riot Act Tour, which included tours in Australia and North America. The band continued its official bootleg program, making every concert from the tour available in CD form through its official website. A total of six bootlegs were made available in record stores: Perth, Tokyo, State College, Pennsylvania, two shows from Madison Square Garden, and Mansfield, Massachusetts. At many shows during the 2003 North American tour, Vedder performed Riot Act's "Bu$hleaguer", a commentary on President George W. Bush, with a rubber mask of Bush, wearing it at the beginning of the song and then typically hanging it on a mic stand to allow him to sing. The band made news when it was reported that several fans left after Vedder had "impaled" the Bush mask on his mic stand at the band's Denver, Colorado show.[48]

In June 2003, Pearl Jam announced it was officially leaving Epic Records following the end of its contract with the label. The band stated it had "no interest" in signing with another label.[49] The band's first release without a label was the single for "Man of the Hour", in partnership with Amazon.com.[50] Director Tim Burton approached Pearl Jam to request an original song for the soundtrack of his new film, Big Fish. After screening an early print of the film, Pearl Jam recorded the song for him. "Man of the Hour", which was later nominated for a Golden Globe Award, can be heard in the closing credits of Big Fish.

The band released Lost Dogs, a two-disc collection of rarities and B-sides, and Live at the Garden, a DVD featuring the band's July 8, 2003 concert at Madison Square Garden through Epic Records in November 2003. In 2004, Pearl Jam released the live album, Live at Benaroya Hall, through a one-album deal with BMG.[51] 2004 marked the first time that Pearl Jam licensed a song for usage in a television show; a snippet of the song "Yellow Ledbetter" was used in the final episode of the television series Friends.[52] Later that year, Epic released rearviewmirror: Greatest Hits 1991""2003, a Pearl Jam greatest hits collection spanning 1991 to 2003. This release marked the end of Pearl Jam's contractual agreement with Epic Records.[53]

Pearl Jam played a show at Easy Street Records in Seattle in April 2005; recordings from the show were compiled for the Live at Easy Street album and released exclusively to independent record stores in June 2006. The band embarked on a Canadian cross-country tour in September 2005, kicking off the tour with a fundraising concert in Missoula, Montana for Democratic politician Jon Tester, then playing the Gorge Amphitheater before crossing into Canada. After touring Canada, Pearl Jam proceeded to open a Rolling Stones concert in Pittsburgh, then played two shows at the Borgata casino in Atlantic City, New Jersey, before closing the tour with a concert in Philadelphia, Pennsylvania. The official bootlegs for the band's 2005 shows were distributed via Pearl Jam's official website in MP3 form. Pearl Jam also played a benefit concert to raise money for Hurricane Katrina relief on October 5, 2005, at the House of Blues in Chicago, Illinois. On November 22, 2005 Pearl Jam began its first Latin American tour.[54]

Clive Davis announced in February 2006 that Pearl Jam had signed with his label, J Records, which like Epic, is part of the Sony BMG group.[55] The band's eighth studio album, Pearl Jam, was released on May 2, 2006. A number of critics cited Pearl Jam as a return to the band's early sound,[56][57] and Mike McCready compared the new material to Vs. in a 2005 interview.[58] "World Wide Suicide", a song criticizing the Iraq War and U.S. foreign policy, was released as a single and topped the Billboard Modern Rock chart; it was Pearl Jam's first number one on that chart since "Who You Are" in 1996, and first number one on any chart in the United States since 1998 when "Given to Fly" reached number one on the Mainstream Rock chart.

To support Pearl Jam, the band embarked on its 2006 world tour. It toured North America, Australia and notably Europe; Pearl Jam had not toured the continent for six years. The band served as the headliners for the Leeds and Reading festivals, despite having vowed to never play at a festival again after Roskilde. Vedder started both concerts with an emotional plea to the crowd to look after each other. He commented during the Leeds set that the band's decision to play a festival for the first time after Roskilde had nothing to do with "guts" but with trust in the audience.[59]

In 2007, Pearl Jam recorded a cover of The Who's "Love, Reign o'er Me" for the Mike Binder film, Reign Over Me; it was later made available as a music download on the iTunes Music Store.[60] The band embarked on a 13-date European tour, and headlined Lollapalooza in Grant Park, on August 5, 2007.[61] The band released a CD box set in June 2007, entitled Live at the Gorge 05/06, that documents its shows at The Gorge Amphitheatre,[62] and in September 2007 a concert DVD, entitled Immagine in Cornice, which documents the band's Italian shows from its 2006 tour was released.[63]

In June 2008, Pearl Jam performed as the headline act at the Bonnaroo Music Festival.[64] The Bonnaroo appearance took place amidst a twelve-date tour in the Eastern United States.[65] In the days prior to Election Day 2008, Pearl Jam digitally released through its official website a free documentary film, entitled Vote for Change? 2004, which follows the band's time spent on the 2004 Vote for Change tour.[66]

Billboard reported in December 2008 that Pearl Jam is currently working on its ninth studio album.[67] No release date for the upcoming album has been set, but Mike McCready told Seattle radio station KISW that "We won't give you a Chinese Democracy."[68] The new album will be the group's first album produced by Brendan O'Brien since Yield.[69] Pearl Jam did not re-sign its deal with J Records, and sources state that the band is likely to self-release the album with a general release date of summer 2009.[70] On March 24, 2009, Pearl Jam's debut album, Ten, will be reissued in four editions, featuring such extras as a remastering and remix of the entire album by Brendan O'Brien, a DVD of the band's 1992 appearance on MTV Unplugged, and an LP of its September 20, 1992 concert at Magnuson Park in Seattle.[71] It will be the first reissue in a planned re-release of Pearl Jam's entire catalogue that will lead up to the band's 20th anniversary in 2011.[71]

Compared with the other grunge bands of the early 1990s, Pearl Jam"s style is noticeably less heavy and harkens back to the classic rock music of the 1970s.[72] Pearl Jam has cited many punk rock and classic rock bands as influences, including The Who, Neil Young, and the Ramones.[73] Pearl Jam"s success has been attributed to its sound, which fuses "the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses."[6]

Pearl Jam has broadened its musical range with subsequent releases. By 1994"s Vitalogy, the band began to incorporate more punk influences into its music.[74] The band"s 1996 album, No Code, was a deliberate break from the musical style of Ten. The songs on the album featured elements of garage rock, worldbeat, and experimentalism.[6] After 1998"s Yield, which was somewhat of a return to the straightforward rock approach of the band's early work,[34] the band dabbled with experimental art rock on 2000"s Binaural and folk rock elements on 2002"s Riot Act. The band"s latest album, 2006"s Pearl Jam, was cited as a return to the band"s early sound.[56][57]

Critic Jim DeRogatis describes Vedder's vocals as a "Jim Morrison-like vocal growl."[75] Vedder's lyrical topics range from personal ("Alive", "Better Man") to social and political concerns ("Even Flow", "World Wide Suicide"). When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that."[76]

While Nirvana had brought grunge to the mainstream in the early 1990s, Pearl Jam quickly outsold them and became not only the most popular alternative rock band, but the most popular American rock band of the decade.[6] Pearl Jam has been described as "modern rock radio's most influential stylists "" the workmanlike midtempo chug of songs like "Alive" and "Even Flow" just melodic enough to get moshers singing along."[77] The band inspired and influenced a number of bands, ranging from Silverchair to Puddle of Mudd and The Strokes.[78][79] Pearl Jam has outlasted many of its contemporaries in the grunge scene like Nirvana and Soundgarden, and also bands it has influenced such as Creed.[1]

Pearl Jam has been praised for its rejection of rock star excess and its insistence on backing causes it believes in. Music critic Jim DeRogatis said in the aftermath of the band's battle with Ticketmaster that it "proved that a rock band which isn't comprised of greed heads can play stadiums and not milk the audience for every last dime [...] it indicated that idealism in rock 'n' roll is not the sole province of those '60s bands enshrined in the Rock and Roll Hall of Fame."[80] Eric Weisbard of Spin said in 2001, "The group that was once accused of being synthetic grunge now seem as organic and principled a rock band as exists."[29] In a 2005 USA Today reader's poll, Pearl Jam was voted the greatest American rock band of all time.[81] In April 2006, Pearl Jam was awarded the prize for "Best Live Act" in Esquire's Esky Music Awards. The blurb called Pearl Jam "the rare superstars who still play as though each show could be their last."[82] Pearl Jam's fanbase following (often referred to as the "Jamily"[83]) has been compared to that of the Grateful Dead's, with Rolling Stone magazine stating that Pearl Jam "toured incessantly and became one of rock's great arena acts, attracting a fanatical, Grateful Dead-like cult following with marathon, true-believer shows in the vanishing spirit of Bruce Springsteen, the Who and U2."[1]

Throughout its career, Pearl Jam has promoted wider social and political issues, from pro-choice sentiments to opposition to George W. Bush's presidency. Vedder acts as the band's spokesman on these issues. The band has promoted an array of causes, including awareness of Crohn's disease, which lead guitarist Mike McCready suffers from, Ticketmaster venue monopolization and the environment and wildlife protection, among others.[84][85] Guitarist Stone Gossard has been active in environmental pursuits, and has been an advocate of Pearl Jam's carbon neutral policy, offsetting the band's environmental impact.[86] Vedder has advocated for the release of the West Memphis 3 for years and Damien Echols, a member of the three, shares a writing credit for the song "Army Reserve" (from Pearl Jam).[87] The band publicizes such causes via its official website and includes links to alternative news sources.[88]

The band, and especially frontman Eddie Vedder, have been vocal supporters of the pro-choice movement. In 1992 Spin printed an article by Vedder, entitled "Reclamation", that detailed his views on abortion.[89] In an MTV Unplugged concert the same year, Vedder stood on a stool and wrote "PRO-CHOICE!" on his arm in protest.[29] The band are members of a number of pro-choice organizations, including Choice USA and Voters for Choice.[85]

As members of Rock the Vote and Vote for Change, the band has encouraged voter registration and participation in United States elections. Vedder was outspoken in support of Green Party presidential candidate Ralph Nader in 2000[90] and Pearl Jam played a series of concerts on the Vote for Change tour in October 2004, supporting the candidacy of John Kerry for U.S. President. In a Rolling Stone feature showcasing the Vote for Change tour's performers, Vedder told the magazine, "I supported Ralph Nader in 2000, but it's a time of crisis. We have to get a new administration in."[91]

Vedder usually comments on politics between songs, often to criticize U.S. foreign policy, and a number of his songs, including "Bu$hleaguer" and "World Wide Suicide", are openly critical of the Bush administration. At Lollapalooza 2007, Vedder spoke out against BP Amoco dumping effluent in Lake Michigan; at the end of "Daughter", he sang the lyrics "George Bush leave this world alone/George Bush find yourself another home". In the beginning of the second encore Vedder invited Iraq war veteran Tomas Young, the subject of the documentary Body of War, onto the stage to urge an end to the war. Young in turn introduced Ben Harper, who contributed vocals to "No More" and "Rockin' in the Free World".[92] The band has since discovered that some of the Bush-related lyrics were excised from the AT&T webcast of the event, and are questioning whether that constitutes censorship.[93] AT&T later apologized and blamed the censorship on contractor Davie Brown Entertainment.[94]

Pearl Jam has performed numerous benefit concerts in aid of charities. For example, the band headlined a Seattle concert in 2001 to support the United Nations' efforts to combat world hunger.[95] The band added a date at the Chicago House of Blues to its 2005 tour to help the victims of Hurricane Katrina; the concert proceeds were donated to Habitat for Humanity, the American Red Cross and the Jazz Foundation of America.[96]

Pearl Jam. (2009, January 21). In Wikipedia, The Free Encyclopedia. Retrieved 02:36, January 21, 2009, from http://en.wikipedia.org/w/index.php?title=Pearl_Jam&oldid=265397210

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Tour News

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Podcasts

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