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Hank III. (2004, February 15). In Wikipedia, The Free Encyclopedia. Retrieved 20:01, January 20, 2009, from http://en.wikipedia.org/w/index.php?title=Hank_III&oldid=16315751

Shelton Hank Williams III (December 12, 1972) is an American country musician. He is sometimes credited as Hank III or even III. The "III" is often represented by a modified version of the logo designed by Raymond Pettibon for the hardcore punk band Black Flag.[citation needed]

The grandson of Hank Williams, Sr. and the son of Hank Williams, Jr., both country music legends, the younger Williams' neotraditional country-meets-alternative country philosophy on country was made clear early on: "the older you sound, the punker you are."[1] His style alternates between music that touches on cowpunk and straight-ahead traditional country music and honky tonk. His stance on contemporary country music can be attributed to his quote, "I wanna hear them old songs, nothin' of the new." Hank III has criticized the musical directions of his father,[2] and instead frequently references his grandfather and other such veteran country musicians.

Self-described as "hellbilly" music, Williams' style is difficult to classify concisely, but has been described as traditional country, 'hard-twang', cowpunk, psychobilly, outlaw country, altcountry, and 'honky punk'.[3] Lyrically, he often sings about running from the law, smoking cannabis, contempt for modern country, alcoholism, depression, and heartbreak, alternating between somber and menacing themes. He also is a member of the punk metal band Assjack.

Hank III enjoys an extremely loyal grassroots fan base and much of his success can be attributed to his taper-friendly stance of his frenetic live tours, which have been his main promotional vehicle.[citation needed]

Williams spent much of his early career playing drums in punk rock bands.

In 1996, mounting child support payments led Williams to capitalize on his family name and sign a contract with Nashville, Tennessee music industry giant Curb Records. Three Hanks: Men With Broken Hearts was issued shortly thereafter, which spliced together recordings to make it seem that three generations of Williams men were singing alongside one another. Upon first meeting Hank III, Minnie Pearl, a friend of Hank Williams Sr., reportedly said "Lord, honey, you're a ghost," as she was astonished by his striking resemblance to his grandfather.[citation needed]

Williams' first solo album, Risin' Outlaw, was released in September 1999 to respectable sales and strong reviews. While his name (and his uncanny vocal and physical resemblances to his grandfather) could have guaranteed Williams a thriving country audience, he had little patience for the often predictable Nashville sound, nor for even the minimal constraints on behavior his promoters required. His opinions on this subject are well summed up in his songs "Trashville" and "Dick in Dixie."

Known for his relentless touring, Williams' live shows typically follow a "Jekyll and Hyde" format: a country set, featuring fiddle player Adam McOwen and slide guitar player Andy Gibson followed by a hellbilly set, and then an Assjack set. He plays country and hellbilly with his "Damn Band" and produces a very different sound with Assjack, which is a punk rock band. The lineup for Assjack includes the addition of supplemental vocalist Gary Lindsey, bassist Zach Shedd switching from upright to electric bass, and the departure of his fiddle and slide guitar players. McOwen's predecessor was fellow-fiddle-player extraordinaire Michael "Fiddleboy" McCanless, who would play all three sets, adding traditional violin for the country set of the concert before plugging his instrument into an amplifier and distortion unit for later sets. Another former band member was guitarist Duane Denison, previously with The Jesus Lizard, who left The Damn Band and Assjack in January 2001 and later that year formed Tomahawk.

Williams had a great deal of trouble with Curb Records. He expressed dissatisfaction with his debut, and reportedly the label was unwilling to release his appropriately named This Ain't Country LP, nor to allow him to issue it on another record label. In response, Williams began selling t-shirts stating "Fuck Curb." Also during this era, Williams played bass guitar in Superjoint Ritual, a now defunct band led by with former Pantera vocalist Phil Anselmo. Joe Fazzio, former drummer for Superjoint Ritual, has toured with Hank III as well as contributing to his album Lovesick, Broke and Driftin' (2002).

In late 2004, Thrown Out of the Bar was slated for release, but Curb opted not to issue it. Williams and label executive Mike Curb would be in and out of court for the next year before a judge ruled in favor of Williams in the spring of 2005, demanding that Curb release the album. Shortly thereafter Williams and Curb came to terms, and Williams dropped his "Fuck Curb" campaign. Bar was reworked into Straight to Hell, released on Curb"s rock imprint, Bruc. Battles with Wal-Mart delayed the appearance of this album, which was released on February 28, 2006 as a two-disc set in two formats: a censored version (for Wal-Mart), and an uncensored version that was the first major-label country album ever to bear a parental advisory warning. One of the songs, "Pills I Took", was written by a little-known Wisconsin group called Those Poor Bastards, who originally released the song on their 2004 CD Country Bullshit[4].

Currently, Hank III will soon be touring in support of his Damn Right, Rebel Proud album (released Oct. 21, 2008) and has been overheard claiming that a rock record, presumably under the moniker of Assjack, will finally see the light of day in less than a year, followed by a new country album. Also recently he has played drums for Arson Anthem, formed with Anselmo and Mike Williams from EYEHATEGOD.[5]

Hank III. (2004, February 15). In Wikipedia, The Free Encyclopedia. Retrieved 20:01, January 20, 2009, from http://en.wikipedia.org/w/index.php?title=Hank_III&oldid=16315751

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